Keeping consistent with the vibe of earlier posts, i want put you all up on some more trunk rattling Reggae fusion that i have been bumping in the last few months.  Though this album dropped all the way back in 2007 the effect of  Million Stylez’s debut album From A Far is still being felt around the globe. With a birth name of Kenshin Iryo born in Sweden and raised by his French father and Japanese mother, it is easy to see why he developed a million styles.

He exploded onto the spot with his hit single “Miss Fatty” but it was his interpretation of classic Roots Reggae that really impressed me.  The title track “From A Far” particularly shows his versatility as well as the Roots track “Give Me Strength” and “In This Time.”  I also had the opportunity to check this man out at the Reggae Rising music  festival in August and he killed it even though I’m sure he would have been much better with a full band.  Check out some of that performance as well as a few other videos below and keep an eye out for up and coming releases.

Jah Bless  -  Marley “One” Lovell

As promised, I want to share some of my favorite albums to be released recently and let you know about all the up and coming artists and albums that I’m excited about.  I want to start with the surprisingly strong release from Jamaican superstar Sean Paul, Imperial Blaze.  This album is a must for anyone who likes to dance or have a party with some movement.  Sean Paul is a legend in Dancehall and is the best selling Jamaican Artist in the United States and the time seems ripe for him to make the full transition to American Pop icon.

We have all heard the rather quick transformation Hip-Hop has made to a sound that more resembles techno both in instrumentation and in tempo.  I think is unfortunate for Hip-hop but presents an interesting opportunity for contemporary Jamaican Dancehall.  During the 90’s the genre birthed from artists like Beenie Man, Shabba Ranks, and Buju Banton has grown to be very quick and highly influenced by technology in the production as most of the music is conducted by one person with millions of instrument samples just like Hip-Hop.  The only difference between the two was the tempo which has now changed so the American Pop listener is now more accustomed to hear that type of sound.  This gives Sean Paul a unique opportunity to hit when the time is right and I think he nailed it with this album.

The first single is titled “Lace It,” and features a more classic Dancehall vibe but doesn’t represent the Hip-Hop/ Electronic fusion of most of the album. Once you get to tracks 4 and 5,  ”Now That I’ve Got Your love” and “Birthday Suit” you will see the snare shift to the traditional 2 and 4 beat of Hip-Hop and Sean display a delivery that rivals any lyricist around.  The album only features one other artist which is Keri Hilson on the traditional one drop reggae track “Hold My Hand,” that is sure to be blaring across Clear Channel soon enough, but the reason I was so impressed with the album was the consistency.  There are 20 tracks and I would say that 15 are interesting, dynamic and will get any dance floor moving.  Some other tracks I have on constant rotation are “Daddy’s Home,” “Wine Baby Wine,” and my personal favorite “Don’t Tease Me” produced by Stephen “The Genius” McGregor.  Let me not forget the always respect Mom salute with “Straight From my Heart.”  Check all the tracks on the videos below.

 This site is based on the common roots that Hip-Hop and Reggae share and this is prime example how they will continue to integrate more and more as we move forward in the musical evolution. Nuff respect to Sean Paul and all of the producers that collaborated on Imperial Blaze.  It is sure to be an album that dominates Dancehalls around the world.

Jah Bless    -    Marley “One” Lovell

PLAY

First off, let me apologize for not posting over the last few weeks but I have been busy doing the only thing that tears me away from the keyboard… and that’s live Reggae.  We have been blessed with summer full of Reggae concerts and festivals starting in June with the Sierra Nevada World Music Festival (SNWMF) and continuing through an epic Reggae Rising a few weeks ago along with other various shows here in the San Francisco Bay.  Every night there seems like another show that can’t be missed such as Mykal Rose last week and a Beres Hammond show last night.  Phew…  I got to send a special shout out to the bredren of Woven Roots from Humboldt County, who put on a wicked show at Pier 23 before backing up the Virgin Island legend, Army.  I had heard some recordings but technology can be deceptive so I was pleasantly surprised with their musicianship and live dub sections.  Definitely check out their debut album, “Storms of Change.”  

Sierra Nevada World Music Festival

As I have mentioned in my earlier posts, SNWMF has taken over the irie void left by the transformation of Reggae on the River to its current manifestation of Reggae Rising.  Sierra Nevada really stepped it up this year with a stellar Roots Reggae line up highlighted by legends, Sly & Robbie, The Abyssinians, The Heptones, Ras Michael, Mykal Rose, Junior Ried, and also contemporary artists, Tarrus Riley, Anthony B, Etana, and Bushman.  This was a really special show because this was my first time seeing many of these artists since I was a kid.  Going into it, I was most excited for Mykal Rose, because I had recently listened to the entire catalogue of his work as well as his dub projects, and I was not disappointed.  Backed by his own band, Mykal tore the place down with classic Black Uhuru tracks such as, “Sensimillia,” and “General Penitentiary,” but also included his more recent work such as, “Real Jamaican” and his collaboration with Damian Marley “Shootout.”  Sly and Robbie were incredible as usual playing for what felt like 5 hours on Saturday night.  Starting with a wicked dub set then into a lover’s rock session with the backup singers, then on to a set with the incomparable, Cherine Anderson, who has one of the sweetest voices in Reggae and who also may be this genres most beautiful woman. Other shows that I was particularly impressed with was Bushman, Etana and I thought the star of the show was Tarrus Riley, who has one of the most powerful and fine tuned voices I have ever heard live.  Even with all that, my favorite moment of the festival was when Anthony B brought several children on stage and dedicated a song to the youth and the parents.  I thought that was a very nice touch and really embodied the spirit of the festival.  It was a moment that I will not soon forget so thanks to all the artists and the people of Epiphany for such a great SNWMF 2009.

Reggae Rising

Reggae Rising has come a long way and has endured lots of skepticism from the Reggae purists but there is one reason I can’t bring myself to miss this yearly gathering.  That reason is the music.  Artists come from all over the world for this one festival and look at it as a way to reward and share their craft with their core fan base here in the United States.  Some people love New Years or Christmas, or celebrate their birthday for weeks on end, but I have Reggae.  It’s that simple.  You’d think that after 18 years of going to this festival I would have exhausted my enthusiasm but my 19th was the most highly anticipated and still the greatest yet.  Joined by 17 close friends, we were blessed with show after show of great artists giving it their all.  There were one of a kind performances from: Luciano, Aswad, Gentleman, Freddie McGregor, Capleton, Marcia Griffiths, Toots and the Maytals and the list goes on.  After announcing the additions of Demarco and Luciano during the weekend of SNWMF it was clear that the people of Reggae Rising had a statement to make.  This is still the festival for contemporary Reggae.  So they were able to also get people like European dancehall star Million Stylez, Demarco, Lutan Fyah, Chezidek, Rootz Underground, Deserie, Nyorah, Queen Ifrika and many others to also bless the bill.  

Friday was highlighted by Rebelution, whose bassist Marley, who is the only person with that name who has been at that festival more often than me, as they announced that it was his 26th year.  Nyorah also stood out but had some sound issues that affected the delivery. Luciano came with his usual energy and incredible stage show as the night cap, but I thought Queen Ifrica really stole the show.  With a diverse mix of singing and chanting she represented for the sistren and really left her mark in her first visit to Reggae Rising.  Nuff Respect…  

Saturday was a marathon of unmissable performances starting in the early afternoon with Rootz Underground who had entirely new show from the last time that I saw them featuring many brand new songs from their new release, “Gravity” set to drop in the early part of 2010.  They had the same Roots Rasta vibe but added a certain hiphop/ electronic element and looked much more confident on stage so big up to the bredren of the Underground.  Dezarie followed them; putting on a very spiritual set which I thought was a nice addition to the day that can often be dominated by dancehall.  Million Stylez followed her and put on a good lyrical show but was slighted because he didn’t perform with a band.  He and Demarco were the first artists I’ve ever seen do that and I hope they are the last.  Chezidek (backed by a band) followed him and was the surprise of my Saturday with his surprising powerful and clear voice.  He also performed several wicked new tunes so definitely keep an eye out for his next project.  They switched the schedule to have Toots next instead of last which I thought was a good move to then have Lutan Fyah and Capleton close it out.  Lutan Fyah really came with his best and sounded well rehearsed was clearly a fan favorite.  Capleton of course had the entire place dancing with hit after hit but really made a statement with his silver encrusted white/Burberry robe ensemble.  I’m never disappointed by his custom threads.

Sunday was a good wind down and featured several Reggae legends.  One my favorites, Freddie McGregor, came and blessed the place along with several artists from his Big Ship Record label Laden and Chino.  The Original Wailers also came and gave everybody their dose of Marley covers but the sisten really came and stole the show once again.  Sister Carol and Marcia Griffiths both came and put on electrifying performances and I thought really exceeded expectations.  Nuff respect to the Empresses.  Capping the roots session was an extremely rare (maybe 15+ years since they last performed in the US) performance by English drum and bass duo, Aswad.  They displayed a talent and excitement that could only come from decades in the business and gave the youth a much needed dub lesson especially with the absence of Sly & Robbie.  I will never forget the 2 minute intro to the extended Dubfire version…  Gentleman and the Far East Band headlined the night for the 2nd straight year and showed why when they delivered a custom show with many extended versions and brand new tracks from his upcoming album.  He even used it as a testing ground for tracks he was considering, which I thought was really special.  I don’t think they’ll bring him back for the 3rd straight but I hope that his next tour makes it over the Atlantic.  If you ever get a chance to see him, don’t miss it.

This year at Reggae Rising was unbelievable and I thought a very successful over all execution but there were several disappointments that I would be remiss to mention.  The first was the overall organization which I thought took a major hit from the previous years.  There were countless people at will call on Thursday struggling to get tickets they had paid for and there was very poor communication between staff on how to resolve the issues.  There was also the artists playing with DJs which there is no place for.  There are dozens of bands hired for this festival and it doesn’t do the artist justice to make them play with a background track because the fan cannot help but compare it to the other acts.  No disrespect to Demarco and Million Styles because they came with it anyway so nuff respect.  Of course these are minimal criticisms because the festival was such a blast but I hope that the people of Dimmick Ranch make some organizational adjustments before next year’s festival.  I’ll have to make it special since it will be my 20th.  Who’s with me!?

Give thanks and praise to the Almighty Jah for the inspiration and grace to make this movement a reality.  Reggae has had a long road and is finally gaining the traction it needs to really succeed here in the United Sates.  Since Bob Marley and the Wailers, Reggae has struggled to thrive here but with the persistence of Sizzla, Capleton, Buju and others, the doors have been opened it has opened for artists like Sean Paul, Sean Kingston, Rihhanna, Demarco, Serani, and other Caribbean artists that now enjoy great pop notoriety.  Check back soon for my reviews of my favorite albums released this summer.  

Jah Bless & Jah Guide until we meet again.

Marley “One” Lovell

I’ve long awaited the day that the biggest story in Hip-hop would also be the biggest story in Reggae and Distant Relatives may be just that.  Over the past few days we have finally been able to get a peak into Damian Marley and Nas’s new project so I wanted to share what I found.  Not that I could get much more excited for this album but watching this video really energizes me as a music fan.  To see such great artists so inspired and passionate about a project really illustrates them at their best.  Working together for a project and a cause.  Africa… Give thanks.  I know that this will be monumental in the communities of American, Caribbean, and African urban youths.

A short sample of a song from the project titled “Afro Beat” was also leaked and features a verse of  Marley and Nas trading lines and demonstrating just how integrated this project has become.  Hiphop and Reggae are coming together like never before and creating a true fusion based on common roots… Beautiful.  I also included a brand new Roots Reggae track from Damian titled “Holiday” that was leaked from his upcoming solo project that is most likely on hold until he is done with the Distant Relatives project.  Enjoy and Jah Bless.

One Lovell

I wanted to check in with you since i haven’t touched base in a few weeks.  Here’s  wanted to keep you in the know about the Reggae news that is exciting me these days.  The first news I have is great news for the World of Reggae but does make me eat my words from my post claiming that the Damian Marley and Nas album would never manifest.  Honestly, I’ve never been happier to be wrong.  The duo will be debuting their new African themed project titled “Distant Relatives” while headlining the famed “Rock The Bells” tour this summer.  Though there is plenty to read about the project, they have yet to release any audio from the album due to drop in just a few weeks (June 23rd).  I haven’t even seen any camera videos from the exclusive listening party they had in LA.  I am very excited to hear that Damian has done the bulk of the production with help from brother Stephen of course and maybe even guests such as Alchemist.  I’m not sure how much longer I can wait.. There is no doubt that this is going to take the music world by storm.  Click here for more information on this project.

The other big new is the long awaited release of Reggae’s newest star, Alborosie with his Greensleeves debut.  His album is scheduled to drop next Monday June, 15th.  We have come to expect a few things from Alborosie since he dropped Herbalist several years ago:  1)  He is consistent and never lets you down if you are looking for the hard hitting one drop Rub a dub style 2)  There is always an Alborosie track that you have never heard.  This project is no different and doesn’t feature any of the tracks that have made him famous.

Check out the track listing:
01. America
02. No Cocaine
03. Mama She Don’t Like You Feat. I.Eye
04. Global War
05. Money
06. Irusalem
07. I Can’t Stand It Feat. Dennis Brown
08. Real Story
09. Good Woman
10. Dung A Babylon
11. One Sound Feat. Gramps Morgan
12. Humbleness
13. Promise Land
14. Mr. President
15. Operation Uppsala
16. Likkle Africa 

Jah Bless – One Lovell

Winter is over and the sun is out which can only mean good things for Reggae fans. It is time to enjoy the season’s major releases that will carry us through the summer.  Speaking of the summer, I want to start off by giving quick update on Sierra Nevada World Music Festival which has added several more artists to their already impressive lineup.  The newest editions are Bushman and the legendary rhythm twins Sly & Robbie who will join the already confirmed Michael Rose, Gregory Isaacs, Etana, Easy Star Allstars, Michigan & Smiley, Tarrus Riley, Anthony B, The Heptones and many more.  They must have felt overshadowed by Reggae Rising last year who put together one of the more impressive american reggae festivals in recent memory.  But even though SNWMF is making quite a statement by nabbing Sly & Robbie who have headlined RR the last two years, Reggae Rising has finally begun to revamp their website and it looks like their line up will begin to manifest shortly, so stay tuned for that.

The song that is guaranteed to be in hot rotation as the summer gets under way is John Legend’s single, “Can’t Be My Lover,” which features two blazing verses from Dancehall legend Buju Banton.  This song was supposed to be included as a bonus track on the deluxe edition of Legend’s latest release, “Evolver,” but for some reason never made the cut.  I’m not sure why, but this track has grown to be a very popular tune for a track that isn’t even legally for sale anywhere.  Amazon.com was carrying a single but after looking for it again, it has a note that explains that it had been “discontinued by the manufacturer.”  Got to love the music business… making sure the people get what they want.  Well, that’s what we have imeem and YouTube for.  Give thanks.